THE MAN IS ON A JOURNEY TO FIND HIS MISSING WIFE. HOWEVER, AS HIS JOURNEY PROGRESSES, THINGS AROUND HIM SEEM TO SHIFT INTO A HORRIFIC REALM OF SELF-REALISATION AS HE COMES TO TERMS WITH THE FACT THAT HIS ACTIONS HAVE LEAD TO THE DEATH OF HIS WIFE. WE ARE LOOKING FOR SOMEONE WHO IS WILLING TO DWELL IN THE HORRIFIC AND WALLOW IN THE DEPTHS OF GRIEF AND GULIT.
ELIOSE (20)
ELOISE IS THE IMAGE THE MAN IS PURSUING. SHE IS BUT AN IDEA, A PERFECT MEMORY THAT THE MAN IS HOLDING ONTO. HOWEVER, WHEN WE REACH THE CLIMAX OF OUR FILM, IT IS REVEALED THAT SHE HAS BEEN CARRYING A HORRIFIC MASS OF HURT AND DARKNESS, ESPECIALLY WITH REGARDS TO HER RELATIONSHIP WITH THE MAN. WE WILL BE LOOKING FOR SOMEONE WHO CAN INHABIT BOTH THE OUTWARD LIGHTNESS OF THE MAN’S PICTERESQUE IDEA OF HER WHILE ALSO BEING ABLE TO HARBOR THE HOLLOW DARKNESS OF A WOMAN FORCED TO ROT.
WOMAN/THE HOUSEKEEPER/MALE CREATURE
LOOKING FOR A PERSON WHO IS WILLING TO EMBODY ALL THREE OF OUR BEARERS OF DEATH. THESE CHARACTERS WILL BE PORTRAYED HEAVILY THROUGH USE OF MASKS AND COSTUMES AND SO WE ARE LOOKING FOR SOMEONE WHO CAN BE LARGER THAN LIFE WITHIN THESE CONFINES. THESE CHARACTERS ARE THE MOST GRUESOME PORTRAYLS OF THE MAN’S INNER TURMOIL AND VERY CLASSIC IN THEIR MONSTROSITY. WE ARE LOOKING FOR SOMEONE AMBITIOUS, UNHINGED AND MENACING.